Programm / Program
10. Forum Ostasiatische Kunstgeschichte
Universität Zürich, Rämistrasse 71, Room KOL-H-317
Freitag, 17. Juni 2022
09:00–09:15 Begrüßung | Welcome Address
Prof. Dr. Hans B. Thomsen
09:15–12:45 Panel 1: Representation and Transcultural Interactions in the 20th Century
Chair: Isabelle Leemann
Moderators: Anna Herren, Natasha Fischer-Vaidya
International Aspiration and Nationalist Struggle in Postwar Japanese Art, with a Focus on Okada Kenzō and Kawabata Minoru
Kimihiko Nakamura
Looking to “the East” in Postwar American Abstract Painting
Hanyang Zhong
Transcultural Tibetan Modern Art – A specific focus on Han artists’ Art Practices and the Indigenous Response
Yuechen Wang
(10:45–11:15 Kaffeepause | Coffee Break)
The Empire at Home: Japanese Imperialism and Colonised Korea in a Swiss Picture Postcard Collection
Rebeca Gómez Morilla
Carriers of Traditions: Japanese Representations of Manchurian Women during the Interwar Period
Ziwei Huang
12:15–12:45 Diskussionsrunde | Panel Discussion
12:45–14:00 Mittagspause | Lunch Break
14:00–15:30 Panel 2: Art across Borders
Chair: Natasha Fischer-Vaidya
Moderator: Denise Gubitosi
Japanese woodblock print artists on commission: Nikuhitsu ukiyo-e as exhibition art and diplomatic gifts
Freya Terryn
Art Made between Cultures: Chinese Export Art on Pith Paper
Dahi Jung
Between Westernization, Japanization and Self (Re)-Presentation: The Assessment of Art during the Era of Park Chung-hee, 1961-1979
Maria Sobotka
15:30–16:00 Diskussionsrunde | Panel Discussion
16:00–16:30 Kaffeepause | Coffee Break
16:30–17:30 Stand des Gebietes | State of the Field Presentations
17:45–18:45 Keynote Vortrag | Lecture (join also online via Zoom)
Aufzeichnungen von Reisen: Medium, Format und Prozess in der Malerei von Huang Binhong
Prof. Dr. Juliane Noth (Freie Universität Berlin)
Samstag, 18. Juni 2022
09:00–11:45 Panel 3: Religion, Court and Concepts of the Divine
Chair: Natasha Fischer-Vaidya
Moderators: Dahi Jung, Piaopiao Yang
Die weibliche Figur in der Querrolle “Achtzehn Luohan” von Zhang Xukun (aktiv Anfang des 18. Jahrhunderts)
Yue Kuang
Kōdaiji-Lacke im Kontext der Religiosität der Momoyama-Zeit (1568-1615)
Anna-Luise Biernatzki
The Ritual Use of Kasuga Mandara
Margó Krewinkel
(10:30–11:00 Kaffeepause | Coffee Break)
Buddhist Statues in Qinghai's Qutansi: Inscribed Patterns of Interaction between Ming China and Eastern Tibet, 1393-1435
Scarlett He
Color Speaks: An Examination of the Blue and Green Colors in Guo Wentong’s Red Cliffs
Hui Fang
12:00–12:30 Diskussionsrunde | Panel Discussion
12:30–13:30 Mittagspause | Lunch Break
13:30–15:00 Panel 4: Market and Stage in Japanese Prints
Chair & Moderator: Katharina Rode
Katsukawa Shunshōs (1726–1793) Nishiki hyakunin isshu azuma-ori (1775)
Tobias Eckmann
Osaka actor prints and their commercial exploits
Spyridon Triantis
14:30–15:00 Diskussionsrunde | Panel Discussion
15:00–15:30 Kaffeepause | Coffee Break
15:30–17:30 Panel 5: Representing Nature and the Self in Chinese Painting
Chair: Piaopiao Yang | Moderator: Monica Klasing Chen
Remembering the Family: Local Memories in the Landscape Paintings of Fa Ruozhen (1613-1696)
Henning von Mirbach
Pictorializing Persona in 19th-Century Chinese Biography Landscape from Jiangnan: Intertextual Remodelling, Retelling, and Reshaping Individuality
Jennifer Chang
The Rise and Development of Orchid Painting in the Southern Song China (1127-1279):Based on the Works by Ma Lin and Zhao Mengjian
Qian Zhan
17:00–17:30 Diskussionsrunde | Panel Discussion
17:45–18:45 Keynote Vortrag | Lecture (join also online via Zoom)
Zhang Taijie and James Cahill: Forgery and Counterforgery in Chinese Art
Prof. Dr. J. P. Park (University of Oxford)
Wir freuen uns auf zahlreiches Erscheinen!
We look forward to seeing you there!
